The Dyed In the Dermis Statue of Inky Naked Liberty

My father always had a lady on his arm and she was unfailingly naked. No, he was not a galavanting playboy or strip club devotee; rather, this was a tattoo that ran down his inner arm from elbow to wrist. It was one of the more visible, persistent reminders of the innumerable mistakes Dad had made while in the throes of alcoholic bliss. It was perhaps the single biggest source of embarrassment for the old man, who took to wearing long sleeve shirts at all times, even in the midst of a particularly noxious mid-August swelter. I'm guessing it was just too large to consider removal, at least with the means available back in the fifties and sixties when he might have been in the position to weigh such an option.

I never thought much of The Lady, and frankly don't even remember the details all that clearly. I think it adorned his right arm but maybe he had one on each; my addled flashbacks have been edited for sanity's sake and these bits must have been left on the cutting room floor. I do vaguely recall asking him about it as a toddler but the only really clear memories I've retained relative to this matter are the incessant threats my parents made as to just what they'd do to me if I mentioned "her" in front of others. The folks lived in terror of outsiders discovering dents in what they viewed as a lovingly crafted model of Leave-It-To-Beaverism. The truth is that dents were the least of this model's concerns when all that remained were gaping holes by the time the late 1960s rolled around, the ghosts of June, Ward, Wally and the Beaver flying off into the night in horror at being associated with our unique spin of familial dysfunction.

I think The Lady is the primary reason I never desired a tattoo of any sort and have never understood the appeal of body art in others, whether it be ink or piercings or like forms of self mutilation. In fact, I don't see the difference between a person with piercings or tattoos and the ragged razor scars of a cutter. Sure, there's an obvious difference in intent and the former might be more aesthetically pleasing than the latter; however, the psychology of intent can be many layered and not at all obvious to the conscious mind while aesthetics are, by definition, subjective.

A news recap this morning showing a group of Independence Day weekend revelers included a dude with what looked to be a very familiar tat running down the length of his Flexor digitorum and the hazy memories of Dad's ink-drawn Elke just sort of washed over me like a fog.

The 4th of July is often the time when my childhood remembrances come to the fore: it was my father's favorite holiday after Christmas and it is my mother's birthday. She'll be 82 tomorrow. When Mom was celebrating her 41st birthday, my cousin Jennie (my Mom's niece) gave birth to her daughter, Lisa (who, if my highly advanced math skills have calculated accurately, will herself be 41 tomorrow). Dad loved to buy and light off fireworks on our country's birthday and we did so each year until my Mom had her stroke in June of '72 and Dad took his final plunge into the bottle shortly thereafter, never to return again until his body bobbed to the surface for a toe-tagged gurney ride to the morgue a little over 5 years later. But prior to this slide into oblivion, I had a giddy anticipation of each Independence Day that was only bested by Santa's annual sleigh ride.

Where I grew up, "Safe & Sane" fireworks stands started popping up in June all over the town and we'd peruse the season's "new" offerings with excitement. Really, there wasn't much new year to year (sparklers and snakes intermixed with various pinwheels, rockets, and fiery cannons). No firecrackers or bottle rockets or M80s and the like. They were certainly available on the sly but Dad mostly stuck with the legal stuff. After the fireworks were expended and we were done running across the lawn with fists full of sparklers, finished watching the "snakes" melt into the sidewalk where'd they leave a stain lasting the rest of the summer, sick of going 'ooh' and 'ahh' at the pinwheels and sparkle rockets as Dad ignites their glory; after all that, we'd go to bed and wake up again into the usual drama that defined our lives outside of the spell of the 4th and Christmas (and, perhaps, for a few hours on Halloween). Thanksgiving sometimes dampened our dysfunction, but just as often accelerated it (sort of like a gasoline-based fire extinguisher, if their were such a beast).

The Lady on the Arm and 4th of July seem inexorably intwined, even if the random news clip hadn't jousted the Freudian gnome living on the European continent of my subconscious to change the reel of my yesterday-dreams to Scenes of Dad's Ink-stained Other Woman. I guess it's because pop did wear short sleeves while orchestrating the fireworks, likely because the fear of polyester melting into his skin outweighed that of the neighbors eyeballing his epidermis artwork.

In the end, when Dad was cremated, The Lady on the Arm went the way of the fireworks that freed her for an annual night unveiled. I guess it was her destiny.

Ooh, Ahh.